in einer zukunft, die näher ist, als es den anschein hat, wird ein schiff zur erde zurückgeschickt, um herauszufinden, was den endgültigen untergang der menschheit verursacht hat. die -lords of the future-, die über ihre ergebnisse berichten und sie aufzeichnen, senden uns melodien von traurigen robotern, einsamen algorithmen und künstlicher intelligenz, die mit sich selbst in moralischem konflikt steht.

killer detroit electro tracks

time to announce the 2nd dance, joining minds and vision with charlie and arapu. three tracks coming across the second density, where movement is striving towards light and growth, 180gr pressing / vinyl only

coloured 12 inch + mp3 download code

coldplay, ed sheeran, mumford & sons, lady gaga, miley cyrus, sam smith and many more re-imagine songs from elton john and bernie taupin. double vinyl in gatefold sleeve.

b-stcok! label is damaged & not centered. arts is an independent label established in 2013 based on sonic dimensions. arts label has influenced by emmanuel. the product, the artwork and the concept are all based on sonic issues.

remaster

ambient / downtempo

2lp, remaster, part of the v.i.r.u.s series

light techhouse tunes with fine vocoder voices and groovy basslines

von deep techno bis uk garage und allem was dazwischen liegt, spiegelt microevolutions aufrichtig die vielfalt des sounds wider, welches animalia so besonders macht.

techno / electro 4-track ep

limited reissue of the second album from big gigantic, pressed on pink marbled double vinyl.

limited edition

reissue - k-hand, the undisputed -first lady- of detroit house and techno, continues her series of rereleases for some of acacia records most sought after catalog. acacia s reputation as music from a well known place to an unknown destination precedes it with a reach that is once again being expanded upon. originally making its mark in 1993, -not giving up- is a piano chord led number with eccentric disco era falsetto vocals interspersed between a house diva counterpart, all undercut by equally classic rough around the edges low end - touching on hand s influences from the new york golden days. the plastic dream mix is a more sinister springboard of sounds with an urgent energy sure to rip through speaker stacks and leave audiences in shreds. easily its dreamiest incarnation, the disco dream adaptation lends itself to bouncier, filtered grooves and vocal dubs. the ghetto growl of -beat that bitch wit a stick- was and still remains a huge track for k-hand and the label. pulling from a sound that originated in chicago, it became equally prominent in detroit through the work of hand and others. its accompanied here by an instrumental version for those that don t share in the street logic, but nonetheless love the gritty production style. finally, the legendary claude young s mix of - deep down 2- sees him implementing wavering chords and loopy vocals with a purposefully loose nyc stutter

only 200 copies available. be quick

emotional 90s inspired melodic tracks.

a soulful compilation to remind us of the brighter days ahead. pressed on double vinyl, housed in a gatefold sleeve with download code included.

5lp box set

new double-album >plug one< by coop

new album from ghost funk orchestra - this one’s meant to be listened to in the dark.

great deep house ep

another killer release from bruno hovart aka patchworks, the logic suite of the first opus of the world-acclaimed uptown funk empire.

limited edition of 500 copies on double vinyl, including code for download of all 32 tracks from the digital compilation.

floating dnb

logic1000 aka samantha poulter

atmospheric breakbeats from jonny oso aka patient.

tape release! digital metal by oc. no real guitars have been used. logic vintage strat & acoustic guitar only. music by oc. ad. voc. by jc

old skool 90s styled acid techno

original motion picture soundtrack from “the hate u give” on double vinyl, housed in a gatefold sleeve.

next lobster theremin release brings robotic space magic from norwell.

following on from the recent single release on first word records, don leisure laces us with an all-new 17-track album of beats, halal cool j.

incl oscar mulero

ltd white vinyl , handstamped , full white cover

cosmin trg is back on his white label operation, sportiv. brixtonstrasse explores an imaginary buffer zone between the urban angst of londons pirate transmissions and the warehouse logic of berlins post-iron curtain freedom and energy explosion. in line with the labels semiotics, gloria is named after the rather unsuccessful 3rd league football club from cosmins home town. its a high octane tribal workout with fuzzy chords, in the vein of 90s luminaries like sterac, bringing back hints of the eras unbridled

the second release of polarity records is characterized by old-school house influences with techno shades. the artist, andy rantzen, is an australia-based lo-fi electronic producer. trained as an academic psychologist, rantzen has been writing and releasing music for over thirty years.

a unique collection of hard-to-find belgian new beat classics. a selection of legendary tracks on 10x12 inch vinyl in a collectors box.

following sterling entries from derek carr, john shima and mihail p, distant worlds reaches out to perseus traxx for a demonstration of the emotional heft and utopian optimism that classic techno promises in its most compelling moments. this is relatable, familiar territory, but executed with finesse beyond the reach of the average producer. a new mystery is bathed in swirling synth tones as elegant as they are moving, while simulacra places a bold square wave riff front and centre for an impactful deep techno meditation. circumstantial reframes the same rich melodic approach in a frantic chassis of snapping beats darting around the grid with playful glee, and then the map is not the territory applies the same logic to a mystical but rhythmically charged trip into the netherworld of machine soul.

too rough 4 radio debuts their vinyl compilation with an electric assortment of soundscapes comprising of florian’s glittery disco tune with a tangy twist on ‘keep on’, littlelake’s lush transient deep house number on ‘lionel’, clocked devices scattered drone zooming across the cosmos on ‘intergalactic’ and all rounded by lootbeg & blinds crunchy heady-topper on ‘fuzzylogic’ .

two words is the debut release from the duo of canadian sound artist crys cole and australian songwriter francis plagne. building on a series of experimental live performances in which the pair toyed with possible common languages for their seemingly unrelated approaches to music, the lp’s two sides present a single piece that brings together abstract texture and slow-motion song in a sonic space where genre cedes to the logic of dreams.

now available for the first time on vinyl, one way static records presents the second volume in our new archival series ‘la vie electronique’. this volume (1.1) focuses on the years 1970-1972 and is spread over two glorious lp’s containing +78 minutes of klaus shulze rarities. this deluxe vinyl set also comes with an insert containing extensive liner notes. available as a limited classic black vinyl retail edition (700 copies) with obi strip.

always seen with a smile on his face, inja the poet, lyricist, storyteller and unparalleled master of ceremonies presents his debut album on hospital records. his first drum & bass focussed long-player ‘blank pages’ flexes his lyrical style with heartfelt sentiment, roughneck flows and quick-fire wordsmith wizardry. all partnered with heavyweight productions from pete cannon, nu:tone, logistics, serum, whiney and anile. the double vinyl release includes a cd-copy of the album.

ltd 7- release with classic chicago house music >>>>
there’s a reason why so many of house music’s early releases have endured over the decades. the best of them have a quality that defies logic. early house records like heard s own -washing machine,- or the -no way back- by adonis, still have the power to stun listeners and drive clubs wild. they sound alien and beautiful, simultaneously ingrained within us and so unlike everything that followed. and few sound as beautiful, or as alien, as -can you feel it.- by 1986, heard—who was born and bred in chicago and been playing in bands as a drummer—had already proved to the world that he was a master of poignant, enthralling house. the previous year’s elegant “mystery of love,” originally released on alleviated records, had featured an insistent ascending bassline repeating under a plaintive, swooning analog synth, with a gentle, conga-led rhythm setting the pace. it was soon rerecorded in a slightly more fleshed-out style, this time featuring frequent collaborator robert owens on vocals—”there’s a moment in our lives when we all must try the mystery of love”—and rereleased on d.j. international.

“struggle artist” is the new album from justin c. meyers, the minneapolis-based composer, artist, and head of the sympathy ltd. label. meyers is a unique, underappreciated talent in contemporary electronic music. his greatest strengths are twofold: his compositions have a meticulous structural logic, revealing a hermetic and austere formalism, concurrently, his compositions have a deep, introspective narrativity grounded in his lived experience, evoked with a mature clarity. together, they make meyers one of the most interesting electronic musicians working with cutting-edge sonics today, unlocking their latent powers of metaphor and figuration. his previous album, 2016’s “negative space (1981–2014)”, deals with the onset of chronic illness and near-death experience. its careful, anechoic meditations on the failing body are a resounding achievement, and the album remains a high watermark of acousmatic music in the 21st century. “struggle artist” portrays meyers’ expectations and disappointments arising from making art in his free time. created initially during lunch breaks and in hospital waiting rooms, and finished after being laid off from his job, it catalogues the despondency of the precarious life. if “negative space” was about the fallible body, “struggle artist” is its violent collision with late capitalism.

man powers me me me label proudly presents a very special new compilation, we we we, which will see all profits donated to the vital help refugees charity. the release boasts 25 new and exclusive tracks from a wide range of artists both new and established including pional, juan maclean, shit robot, medlar, asok, ian blevins and more. as well as the full album, two limited, vinyl-only samplers will also be released, with each featuring one exclusive track that is not available anywhere digitally.

89:ghost is on fire at present, having thrown down killer releases from todd sines, logic system and tomoki tamura over the past year. tommy vicari jnr is a great addition to the roster, bringing a freaky, wobbly and distinctly hi tech approach on all that matters that will have party people freaking out in a whole new way. things at night takes a completely different approach with its focus on delicately chopped up piano hooks. tlk 2 me wt yr bdy flips the script yet again with a roughneck, ardcore sound palette and some filtered house elements riding atop a booming low end. likely story finishes this varied ep off with a cheeky garage house strut that will have just as many fans as the other killer jams on this well rounded record.

xor gate is the brainchild of heinrich mueller, one half of drexciya and dopplereffekt.
silver colour print sleeve.
in linguistic or electronic logic, the xor gate designates a device, digital or grammatical, which outputs a value only when two di ering inputs are fed into it. this can be summed up with the formula “one or the other but not neither, nor both.” a conic section is a shape created as a plane intersects a cone. this can result in di erent figures such as a circle, an ellipse, a parabola or a hyperbola. conic sections is here composed of eight themes, or shapes, over which waveform and synthesis entirely merge with human emotions. the line is blurred. these eight themes are intertwined, forming one long musical string. the line is forever blurred. conic sections was commissioned by artcenter south florida in miami, for the an image exhibit